#The real war of thrones series
Martin claims that his series of books was heavily inspired by the Wars of the Roses, a conflict that has its roots based in Lancashire and would come to change England forever. Martin has sold more than 70 million copies worldwide. The book series A Song of Ice and Fire written by American author George R.R. So I tried to emphasize and keep that in the sword.Richard III would take the throne from his nephew Edward V (Image: Getty Images) We took a picture for reference and they were beautiful, the whole natural look to them. We were shooting in Iceland prior to that, and we saw some of those stalagmites and stalactites. But the shards were supposed to be like shards of ice. I knew where I wanted to go, but the problem was trying to figure out the proper material that I could use that would be strong and translucent. So a little bit of panic set in, as you can understand But I was very lucky because I had shards of ice, in other words, silicon gel, and I had different looks and feels to it. I was told within two weeks of the actual shoot that I had to make one. Then what happened was I think the budget was a bit crazy. Originally, it was supposed to be visual effects all the way through, to make it look like ice. Tell us about Longclaw and why it's able to do what it does. At the end of season five, Jon Snow is able to kill a White Walker because he has a sword named Longclaw. Some weapons are made out of Valyrian steel. We've used all of these so they have to practically stand up and be worthy of a bit of action.Īnd what it's made out of is also important. We've cut kegs open, we've sliced heads off. Either he has to pick it up, or look at it, or wield it.
Because at the end of the day, the actor has to use that weapon. We have to make sure that they're all workable and usable. Rather than writing it down, drawing it on a piece of paper, and going, Yeah, that's it. I get a feel for what material I have, what I like to do, as in colors or if there need to be jewels.
But I'm very lucky - the guys actually leave me alone to get all my designs and my own feel for it. So we get a bit of an idea of what will happen. We get an outline prior to the scripts being given out.
#The real war of thrones tv
But in your job, when you're looking at intricate detail on the handle of a sword, to establish where that sword has come from, how important is that definition? And do you try to have really meticulous jewel work so that on a big TV you can actually see those little things? One of the things you hear makeup artists and costumers complain about is that high-definition television means you can't really hide any flaws. I think I've mostly been told by the director to get off the set, because I'll try to flood you, make my job a bit more worthy." INTERVIEW HIGHLIGHTS So I try to get as much weapons as possible to fill the frame. There's no point in having a 14-ton truck with a lot of weapons and nothing on set. "So each house will have a different style, a different look. "I have to make sure I'm using the weaponry for the houses," Dunne said. When Dunne spoke with The Frame's John Horn from Belfast, Ireland, he explained how a lot of thought goes into matching the right weapons with particular characters. So what goes into designing the weaponry in the “Game of Thrones” war chest? To find out more, The Frame reached out to Tommy Dunne, who is the official weapons master for the series. From tiny daggers that are as small as a hand to lances as tall as an NBA center, the “Game of Thrones” weapons are all manufactured by the show’s weapons department: no hand-me-down swords from the Renaissance Faire here.
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